PROFESSIONAL ARTIST ...
Do you need to be known by a broader audience of potential clients?
AMATEUR ARTIST ...
Are you good enough that your work should be known beyond your circle of friends?
Now, YOUR WORK AND YOUR NAME could be on permanent display in living rooms and business offices everywhere!
Here's how ...
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A gallery from the hands of working modern artists,
most of whom you've probably never heard of ...
by Larry Cottrill, Director, Cottrill Cyclodyne Corporation
Several years back, a big name East Coast art dealer visited Des Moines with a show of some of
his latest acquisitions. A professional artist friend of mine who was gaining some traction in
(and even beyond) the Midwest asked this gentleman what it would realistically take to get a
piece or two shown in his big New York gallery. The guy looked my friend in the eye
and said simply,
"WHO ARE YOU?"
My friend knew he had gotten his answer: He didn't have a NAME that this guy (and his wealthy clientele) would know.
My artist friend just turned and walked away.
Now, over the intervening years, this artist has had enough success to define a satisfying career
doing what he loves and getting good commissions and good prices for his work. But the lesson
learned that day has never been forgotten: You have to do what it takes to build a name. The
fact is, it's hard to get a real foothold in ANY professional career - but for an artist, the
whole game is public perception of fine quality work by the broadest
possible audience.
The vicious cycle ...
THEY WON'T SHOW YOUR WORK IF YOU DON'T HAVE A NAME
... and ...
YOU WON'T GET A NAME IF YOU CAN'T SHOW YOUR WORK.
The Idea behind Galerie d'Orion Ascendant ...
Most of us that have loved artistic expression as a lifelong hobby have always had
to be satisfied with that expression coming to final rest in the consciousness of a few
relatives and friends. But eventually, for anyone who has developed enough proficiency
and artistic vision to get the attention of a variety of viewers, the small world of
family and friends just isn't enough. At this point, there are two traditional avenues:
1. Attempt to nurture your art as a career. This is a
'tough row to hoe' unless you can connect with some professional who will commit to years
of mentoring, and possibly a professional manager to keep you on track (and help keep
your head above water).
2. Remain a dedicated Amateur, using every
means you can think of to broadly exhibit your work - competitions, local art shows, fairs, etc.
This turns into a lot of time and travel for someone maintaining a 'day job'.
And the fact is, a personal Web page for your work won't readily show up in searches
when you don't already have a well-known name.
At the time I am writing this, the year is 2023 and I am now 75 years old. This means that
(a) I am not about to 'turn pro' and launch a new career, and (b) I am not going to spend
the rest of my days running around the country trying to impress people at
gallery events and art shows. I have things to do, and I'm running out of time!
This site is meant to exhibit a lifetime of my work, but
ultimately ALSO the work of other artists, BOTH amateur and professional.
Three important facts form the premise for launching this site:
1) The vast majority of ordinary
working people simply can't afford the time and expense
needed to acquire original pieces, even if they have
a genuine interest in modern art.
2) Therefore, most of these people will
NEVER visit a major art gallery, even
when they get a chance to visit a place like New York, San Francisco or LA -
with studios and galleries that cater to only the elite few!
3) However, these same people
WOULD love to be able to decorate their homes
and offices with low-cost modern replica art (even from unknown or little-known artists!) - IF
it can be made truly affordable! This fact creates the opportunity for this site to be
self-supporting, AND HELP YOU SUCCEED AS AN ARTIST, by offering such a product on demand.
So ... How Do We Shatter THE VICIOUS CYCLE?
Our online gallery of new and little-known art costs NOTHING to visit, but
provides visitors an option to buy low-cost gallery-grade photo reproductions
in frameable poster size of anything they see and like.
This method of promotion offers significant advantages to an under-served public AND to the artist
struggling to become known. Take a moment to follow my thinking:
I decided that an eclectic set of top-quality poster-size prints
would be viable as a way of exhibiting the best of my work to the broadest
possible audience. People know that a well chosen wall hanging can greatly impact the look and feel
of a room - yet, it has no physical 'footprint' (i.e. it's never 'in the way'). Owning multiple
posters can offer variety by simply rotating them over time - those not in use can be easily
stored.
I also realized I could enhance the variety of selections by
including other artists' works with their permission (or in the rare case of owning
the originals myself). This gives a greater variety of artistic achievement to display,
enhancing the appeal of the site and increasing product offerings. Consider that any replica piece that
turns out to be really popular can be printed and sold as many times as it's demanded, quickly and cheaply.
And of course, posters will always show the work's title, date created, the artist's
name, and optionally even contact information (crucial for the artist who's a working
professional).
The final result of this effort is a group of beautiful,
gallery-quality art prints that can be hung as-is OR that can be fully matted and
framed if desired to make a really powerful visual statement.
For information on how you can submit work for evaluation and potential inclusion
in our Gallery, email me, Larry Cottrill, at
info@jetzilla.com with the subject line
'Gallery Submission Info'. Now, if you'd prefer to skip over the next section on Poster Design, just
ENTER at the GALLERY DIRECTORY
to immediately start seeing what I'm talking about!
Poster Design - 'Portrait' and 'Landscape' Versions,
and 'Diptychs'
The terms 'Portrait' for a vertically oriented printed page and 'Landscape' for
a horizontal page are ubiquitous today, so I decided to go along with convention
and use these for my descriptions on this site.
I soon realized that there were a couple of cases in sculpture where more than
one view was needed to convey the design so it could really be understood by the
viewer. In these cases, I divide the poster so that two photo views of the
piece are displayed. To describe this, I finally chose the old artist's term
'Diptych' (meaning, two scenes side-by-side)
so that a front view and side view form the 'Landscape
Diptych' while a side view and elevated view create the
'Portrait Diptych' style. This distinction
will be obvious when you view some of the listings in the
Gallery below, and these are exactly
carried through in the formats of the posters.
For you to 'get a name', identifying the artist with the work is crucial!
So, in all cases, the work's title and the artist name and
creation date (generally just the year) are prominently called out: I set
these up in a small but bold white modern font along the bottom edge of each poster.
Details of the materials, construction, studio location, or whatever I deemed
appropriate, are inscribed in a smaller font directly above the artist name and
date of the work. All this is made much clearer when you
view the Poster Listings themselves.
NEW 'Full Poster'
Size Available!
When I was making pulsejet engine posters years ago, I was limited
by printing costs to the 11 x 17 inch [28 x 43 cm] 'Mini Poster' size.
Today, I can do the printing in-house up to the so-called 'Super B' size
dimensions - 13 x 19 inches [33 x 48 cm]. While adding two inches each way doesn't
sound like much, the total area is a full 32 percent larger; the difference in visual
impact is impressive, and should be well worth the extra cost to many buyers
(scroll down a bit to see the true-scale comparison below).
The larger size is excellent if you're going to frame or hang the work in
a larger room or if you just want the print to be especially prominent in the space.
Putting one of these in a nice matted frame will make an unforgettable impression!
Quality of the product is exactly the same for the two sizes offered. The printed area has
a slightly better 'fit' to the larger rectangle, i.e. a little less noticeable 'white space'
around the edges. You can see what I mean in this true-scale comparison:
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Portrait Full Poster
Overall dims: 13 x 19 inches (33 x 48 cm)
Rendering dims: approx. 11.25 x 15.75
inches (29 x 40 cm)
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Portrait Mini-Poster
Overall dims: 11 x 17 inches (28 x 43 cm)
Rendering dims: approx. 9.75 x 13.75
inches (25 x 35 cm)
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All right - Here's what the online buyer gets, and how they pay:
These frameables are printed on heavy weight, bright white, acid-free paper, in 11 x 17 inch
[about 28 x 43 cm] 'Mini Poster' outside dimensions - OR, the NEW 'Full Poster' size, 13 x 19
inch [about 33 x 48 cm] dimensions. 'Portrait' or 'Landscape' format depends entirely on the nature
of the artwork as photographed. They are shipped carefully rolled in an ample (meaning LARGE), rugged
mailing tube - AND, keep in mind - I will only pack a maximum of five posters in a single tube!
All US shipments are Priority Mail with Confirmation [we will email you the USPS tracking number].
(NOTE: Foreign shipments will be by the most economical means available with proof of mailing, and
promptness of delivery cannot be guaranteed.) Printing and shipping will be within five business days
of placing your order.
I use PayPal to handle the ordering process - HOWEVER:
IMPORTANT NOTE: YOU DO NOT NEED YOUR OWN
PayPAL ACCOUNT TO ORDER!
Our PayPal Shopping Cart
lets you choose from any of the most popular credit / debit cards, so if you don't have a
PayPal account, just skip past
the PayPal
Checkout button to the one labeled simply
Checkout on the Shopping Cart page, then use the credit card
you want when entering your data.
All right, that's all! Let's ENTER the GALLERY:
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ARTWORK DIRECTORY SECTION
(Click on Navigation Links below images
for MUCH faster browsing !!!)
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GALLERY DIRECTORY of Artwork Categories:
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GALLERY
Including All Artwork Categories:
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ARTWORK GALLERY PAGE SECTION
(Click on Navigation Buttons below images
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Category I: SCULPTURE
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Category I: Sculpture - Design 1:
Small Glass Creature
blown glass tubing by Larry Cottrill 1963 Length: 15/16 inch
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At this writing (2023), this little guy is 60 years old. I was hanging
out with a couple members of our little Geek Squad in the Chemistry classroom
at North High School (Des Moines) and decided to fire up a Bunsen burner
and try some glass blowing (and gathering), using a
couple of scrap pieces of lab tubing we found lying around.
I'd never tried it before, and this is what came out after 15 or 20 minutes.
He's just under an inch long, and weighs less than the US dime he's shown
with here.
- Larry Cottrill
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Category I: Sculpture - Design 2:
Stick Figure I
assemblage of wooden sticks by Larry Cottrill 1972 Height approx. 5 inches
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This construction was assembled from standard round toothpicks, using
a thick casein glue product branded as Tacky Glue in crafts
stores. Sticks were carefully sized for identical length
before use. Every stick in the construction is a side of two
to four equilateral triangles.
- Larry Cottrill
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Category I: Sculpture - Design 3:
Stick Figure II
assemblage of wooden sticks by Larry Cottrill 1972 Height approx. 5 inches
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A second construction assembled from standard round toothpicks, using
the casein glue product called Tacky Glue. In this case, a
five-pointed star is constructed from equilateral triangles. Again,
sticks were carefully sized for identical length. Every stick in the
construction is a side of two to five equilateral triangles, except
for five radial sticks forming a hollow 'cap' over the top.
- Larry Cottrill
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Category I: Sculpture - Design 4:
Telescope Maker
carved limestone by Larry Cottrill 1975 Length approx. 14 inches
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Telescope Maker was my
first attempt at stone carving, and I loved doing it. I took
this down to a small downtown Des Moines gallery and put a sale
price of $100 on it - a princely sum in those days (the 1970s) when a
dollar was something. Waited a couple of weeks, and no one was nibbling.
I got to know a wonderful commercial artist who had an office next door,
Sam Van Meter, who said to me, "Would you rather have your first
stone sculpture or a hundred dollars?" I took back the piece and
never offered it again.
- Larry Cottrill
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Category I: Sculpture - Design 5:
The Bold Marauder
plaster of Paris model by Larry Cottrill 1975 Height approx. 10 inches
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The Bold Marauder
was an Urban Folk genre song from the 1960s, written and
sung by Richard Farina. He and his wife Mimi Farina were a
powerful force among social justice and anti-war protest singing
in that era. Richard did this one solo - he had a high, whiney but
piercing voice which made the song absolutely bone-chilling the
first time I heard it. I immediately pictured an eyeless, noseless,
perpetually hooded creature, all pure white - perfect for working
in plaster on an aluminum wire armature. Richard Farina tragically
died in a motorcycle crash in 1966.
- Larry Cottrill
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Category I: Sculpture - Design 6:
Sounding
carved limestone by Larry Cottrill 1994 Height approx. 19 inches
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For a few years, the Iowa Arts Council
ran an annual competition called 'On My Own Time' for employees
working in downtown Des Moines companies; it had several divisions in
both Amateur and Professional classes. This entry was well-liked by our
company's in-house panel of judges and so went on to the final
competition. This piece won First Place in the Amateur Sculpture event -
the only blue ribbon I've ever won for anything in my life.
- Larry Cottrill
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Category I: Sculpture - Design 7:
Lion's Head
cast terra cotta from unknown designer ca 1920 Height approx. 16 inches
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Many prominent architects spent some of their early
years at Brooks, Borg and Skiles. One that I got to
know there was Kirk Von Blunck, who rescued many of
these gargoyle-like Lion's Head
sculptures from the wrecking ball, and then made them available
to any of his colleagues who wanted them. These ferocious beasts
had gazed down on downtown Des Moines pedestrians for decades
from the parapet of an old insurance building. I eventually
gave this to a beautiful lady who took pride in being a
'Leo', though I personally don't subscribe to astrological ideas.
- Larry Cottrill
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Category II: ON THE WALL (Paintings, Drawings, etc.)
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Category II: On the Wall - Design 1:
Still Life
oils on canvas by Dorothy Lizzete Eisenbach 1947 approx. 40 x 30 inches
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Lizzete is not well known today for her oil paintings;
she is much better remembered for her watercolors from the early 1920s and later.
This work is also unusual for its neo-impressionistic style, a far departure from the
near-realism of her early work. This is ensconced in a massive wood frame. I acquired this in the early
1970s for $50 from a little gallery in downtown Des Moines which had a sign on the front door that
read "SORRY - WE'RE OPEN" on one side and "YES -
WE'RE CLOSED" on the other.
- Larry Cottrill
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Category II: On the Wall - Design 2:
Keys
matte board wall sculpture by Larry Cottrill 1992 approx. 14 x 11 inches + frame
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This was hand-crafted from scrap pieces of paper matte board
I had lying around, grounded on a cheap 11 x 14 inch frame.
I was fortunate that a lot of the scraps I had were solid-core
matte board (i.e. not white below the surface). I had wanted to
do a wall-hung sculpture where the picture elements seem to be
'exploding' beyond a matte boundary. Done for our 15th Wedding
Anniversary.
- Larry Cottrill
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Category II: On the Wall - Design 3:
Rejected by NASA
technical drawing by Larry Cottrill 2001 approx. 17 x 11 inches
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This drawing was a small part of my submission to the
NASA SBIR Grant program early in 2001. Exactly like a patent
drawing, it depicts a jet engine with no internal moving parts (though NOT a valveless pulsejet).
I received my official rejection letter and comments from NASA on the very day that would change
all our lives: September 11, 2001.
- Larry Cottrill
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Category II: On the Wall - Design 4:
Breakfast of the Tyrant Kings
gel pen drawing by Larry Cottrill 1988 approx. 28 x 20 inches
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For a few years, the Iowa Arts Council
ran an annual competition called 'On My Own Time' that had several
divisions in both Amateur and Professional classes. This was supposed
to be my entry, but never made it into the finals. I started this after
discovering a brand-new invention that had just come on the market,
a VERY fine line ball-point device called the 'gel pen', and decided
I just had to use one of these to make a drawing. I was astonished at
using up nine or ten to get this work completed.
- Larry Cottrill
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Category III: PHOTOGRAPHY
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Category III: Photography - Design 1:
At Last, the Wedding Is Over ...
photograph by Larry Cottrill 1975
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Carroll Johnson and his new bride Alvina, captured in
a relaxed moment at the end of The Big Day. They're both
obviously happy at the chance to start a new life together.
Carroll was the father of my friend Steve Johnson, who
partnered with me for several years in a professional
photography venture.
- Larry Cottrill
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Category III: Photography - Design 2:
Happy Couple, Happy Mom
photograph by Larry Cottrill 1975
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My friend Dave Cargill, his new bride Angie and his mother. Dave was
a professional Land Surveyor (I actually worked for him in the field
one summer) and my landlord for several years. Dave and Angie had an
extensive collection of Coca Cola memorabilia and a couple of Model
Ts, and a custom Harley chopper called The Coke Machine. Kind of a
wild man in some ways, but he was a good friend and a fine professional in
his field.
- Larry Cottrill
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Category III: Photography - Design 3:
Downtown
photograph by Larry Cottrill 1972
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I consider this to be one of the most interesting photos I've ever
taken, from the standpoint of composition - especially the conflict
for dominance between light and shadow. The tall brick building
in the left background is the Hubbell Building, at that time home
to Brooks, Borg and Skiles Architects and Engineers, where I was working.
A grab shot looking west on Walnut Street, Des Moines.
- Larry Cottrill
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Category III: Photography - Design 4:
Portrait of the Artist As An Old Dog
photograph by Larry Cottrill 2010
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This is a valveless pulsejet prototype, second in a series after
some significant problems with my first design. This was done as
an industrial heater / flame generator for a corporate client
down on the Gulf of Mexico. Fabricated for me by Jim Russell Design,
Des moines; welded by Jim's son Matt, a true artisan. The engine by
itself weighed 20 pounds, mostly .060 inch stainless. The client
estimated the thrust at better than 40 pounds, running on propane
vapor.
- Larry Cottrill
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Category III: Photography - Design 5:
Artist Jim Russell
photograph by Larry Cottrill 2010
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There are several professional artists named Jim Russell, but this
is the one I personally know and respect as a mentor and friend -
Jim Russell of Des Moines.
Exactly my age, this is the guy I know
who had the guts and drive to spend his adult life doing what I'd
love to have done - and does it superbly and with integrity. Jim
creates everything from fine jewelry to monumental metal pieces.
Here, he's fashioning one of his giant trout flies, built on a
stainless shark hook.
- Larry Cottrill
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Category III: Photography - Design 6:
Oh Fifteen
photograph by Larry Cottrill 2023
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The Martin O-15 guitar is prized for its usefulness in recording
studios, where the booming voice of its big brother, the famous
Dreadnaught, can be difficult to tame for an audio mix. My dad
bought me this one back in the 1970s, well-worn but still full
of beautiful sound.
- Larry Cottrill
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Category III: Photography - Design 7:
Engineer John Nigro
photograph by Larry Cottrill 1975
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I worked directly for John throughout the 1970s at Brooks, Borg and
Skiles, Architects and Engineers, Des Moines. We were in the
Structural Engineering Department. One of the finest engineers,
and one of the finest men, I ever got to know. A great mentor and
a true friend.
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Category III: Photography - Design 8:
Tower of Friends
photograph by Larry Cottrill 1971
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It was still the Vietnam War era, and this scene is from one of the
last get-togethers of the old gang before all four of these guys
became soldiers and sailors. I would eventually head for the
Army's Warrant Officer Flight program, but my dreams of learning
to fly rotary wing craft were cut short by the 'unanticipated' discovery
that I had archless feet - I was mustered out with only 88 days of
military service to my credit. Bob, in the plaid shirt under the left
hand of the lovely Judy, landed perhaps the most amusing of our
military careers, serving on a US Navy vessel known as a Torpedo Retriever.
- Larry Cottrill
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Category III: Photography - Design 9:
Pulsejet Pipe Extension
photograph by Larry Cottrill 2010
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For optimum starting and running, it is often necessary to tune the
exact tailpipe length of an experimental pulsejet. I designed this
tuning extension for an engine with a 4-inch diameter tailpipe.
The heavy lugs are for tapping the extension with a tool to slide it
forward or rearward on the end of the pipe, even while very hot.
The stainless hose clamps let me achieve a perfect sliding fit. Built
for me by Matt Russell of Jim Russell Design, Des Moines.
- Larry Cottrill
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Category III: Photography - Design 10:
Artists, Father and Son
photograph by Larry Cottrill 2010
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True artisans in the craft of metalworking, Jim Russell and his son
Matt Russell plan the finishing touches on an experimental pulsejet
combustion chamber for me. This was almost a tiny project compared to
the monumental sculptures they're used to building. For this project,
the chamber was plain steel, as I couldn't afford to do it in stainless.
Nowadays, Matt has his own shop, where he does both metal and woodworking.
- Larry Cottrill
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Category IV: ART OF ALFRED OWLES (Paintings)
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Category IV: Art of Alfred Owles - Design 1:
The Intruders
oils on canvas by Alfred Owles ca 1960 approx. 27.5 x 19.5 inches?B>
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Alfred Owles' later works
are often scenes of the Old West. Many of these are imaginary scenes
of life in Western towns. He also painted landscapes from real
life. This is one of only two paintings of his I've ever seen that depict tribal
Native Americans, though others could exist, of course. Original was
an artist-framed gift to my mother, with his title
The Intruders hand-written
on the back.
- Larry Cottrill
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Category IV: Art of Alfred Owles - Design 2:
Out At the Edge of Town (Artist's Title Unknown)
oils on canvas by Alfred Owles ca 1960 print approx. 16 x 12 inches
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Alfred Owles gift print to my mother -
he was married to her sister Lois. This was locally matted and framed,
and there is no indication of a title by the artist. Many of Owles' later works are
scenes of aged houses and barns. I think these were all painted from
life, rather than imaginary scenes. In this one, there seems to be a small
church hidden just beyond the house.
(Poster not offered due to unknown ownership)
- Larry Cottrill
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Category IV: Art of Alfred Owles - Design 2:
At the Foothills (Artist's Title Unknown)
oils on canvas by Alfred Owles ca 1960 print approx. 16 x 12 inches
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Alfred Owles print, another gift to my mother, was
locally matted and framed. Unfortunately, in this case, his artist's mark
in the lower right corner is invisible, completely obscured by the matte.
(Poster not offered due to unknown ownership)
- Larry Cottrill
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Category V: ART OF MILO WINTER (Book Illustration)
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Category V: Art of Milo Winter - Design 1:
The Canadian Brandished His Harpoon ...
Illustration by Milo Winter 1922 printed approx. 4.2 x 6.1 inches
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Milo Winter, virtually unknown to younger readers today, was
famous during the first half of the Twentieth Century for his artwork in
books for children and young people. But, he also illustrated
many great classic works of fiction, particularly the Windermere Series of books published
by Rand-McNally. One of these was the Jules verne Classic, Twenty
Thousand Leagues Under the Sea. This plate, showing Ned Land the harpooner,
was the Frontispiece of that edition, appearing
directly across from the wonderfully printed title page of this classic work: - Larry Cottrill
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Category V: Art of Milo Winter - Design 2:
A museum in which an intelligent, if a spendthrift, hand ...
Illustration by Milo Winter 1922 printed approx. 4.2 x 6.1 inches
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The first scene Milo Winter depicts in the body of
the book comes after Professor Arronax, his valet Conseil and the Canadian harpooner
Ned Land have been taken into custody in the Nautilus. Here, Prof. Arronax finds himself
amazed at the superb collections in Captain Nemo's salon museum. The artist's skills at
composition of an imaginary scene are clearly evident.
- Larry Cottrill
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Category V: Art of Milo Winter - Design 3:
All these and many other wonders I saw ...
Illustration by Milo Winter 1922 printed approx. 4.2 x 6.1 inches
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Artist Milo Winter depicts the
very first excursion by Professor Arronax and his friends beneath
the surface of the sea. They experienced scenery as well as both plant
and animal life unlike anything that could have been found 'topside'
on the dry land of Earth.
- Larry Cottrill
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Category V: Art of Milo Winter - Design 4:
The canoes at a given signal approached the "Nautilus" ...
Illustration by Milo Winter 1922 printed approx. 4.2 x 6.1 inches
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The attacking natives strikingly pictured here by Milo Winter
are not men of Africa, but are actually halfway around the world from there -
they are carefully described by Jules Verne as the famous
"red-haired cannibals" of Papua, New Guinea. For over a century, many Christian
missionaries sacrificed their lives ministering to these people, so today
authorities believe that there are no tribes still practicing cannibalism
anywhere on that island nation.
- Larry Cottrill
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Category V: Art of Milo Winter - Design 5:
He threw himself aside with amazing quickness ...
Illustration by Milo Winter 1922 printed approx. 4.2 x 6.1 inches
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The divers, led by Captain Nemo on an excursion far below the
surface, are suddenly threatened by a huge shark. Nemo confronts
the creature, and ends the threat by skillfully dodging a direct
assault and swiftly plunging his knife into its side.
- Larry Cottrill
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Category V: Art of Milo Winter - Design 6:
There, indeed, right beneath my eyes, lay a town ...
Illustration by Milo Winter 1922 printed approx. 4.2 x 6.1 inches
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Here, Milo Winter depicts Professor
Arronax discovering a great ancient city, ruined and submerged beneath
the sea. Could this really be the capitol city of the legendary island
nation of Atlantis?
- Larry Cottrill
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Category V: Art of Milo Winter - Design 7:
Captain Nemo unfurled a black banner which bore an N ...
Illustration by Milo Winter 1922 printed approx. 4.2 x 6.1 inches
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When Jules Verne was writing Twenty Thousand
Leagues under the Sea, the south polar
region called Antarctica was virtually unknown. As shown in this
plate, the assumption of most authorities was that it would be entirely
sea water and ice, not unlike the Arctic. This later turned out not
to be the case - it is actually a vast land dominated by a huge active volcano
and covered with tens of thousands of square miles of glacial ice.
- Larry Cottrill
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Category V: Art of Milo Winter - Design 8:
The unhappy sailor was brandished in the air ...
Illustration by Milo Winter 1922 printed approx. 4.2 x 6.1 inches
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Milo Winter illustrates great action in
this dramatic scene - however, his depiction of the giant squid is far
from anatomical accuracy. Even by 1922 when the Windermere Series of the
book was published, sightings of real giant squid were extremely rare, and
there was no photographic evidence of the creatures at all. The giant squid
has the most human-like eye of any sea creature, and the eye globes can be
as large as volleyballs in a full-grown animal.
- Larry Cottrill
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End of Artwork Images
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==========================================================
INFORMATION SECTION (Ownership, Contact, etc.)
==========================================================
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Larry Cottrill
Director of Product Development
Cottrill Cyclodyne Corporation
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All Posters Copyright 2023 Cottrill Cyclodyne Corporation
- All rights reserved -
All Images On This Page Copyright 2023 Cottrill Cyclodyne Corporation
- All rights reserved -
Questions? Comments? Problems using this page?
email
comments@galeriedorion.com
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Soli Deo Gloria
Johann Sebastian Bach 1685 - 1750
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Page updated: 19 Jun 2023
Copyright 2023 Cottrill Cyclodyne Corporation
Mingo, Iowa USA
- All rights reserved -
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==========================================================
POSTER SALES PAGE SECTION
(Clicking on any Navigation Button returns you
to Artwork Images Section to resume)
==========================================================
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__________________________________________________
Category I: SCULPTURE
__________________________________________________
Category I: Sculpture - Design 1 - Poster:
Small Glass Creature
blown glass tubing by Larry Cottrill 1963 Length: 15/16 inch
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Category I: Sculpture - Design 2 - Poster:
Stick Figure I
assemblage of wooden sticks by Larry Cottrill 1972 Height approx. 5 inches
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Category I: Sculpture - Design 3 - Poster:
Stick Figure II
assemblage of wooden sticks by Larry Cottrill 1972 Height approx. 5 inches
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Category I: Sculpture - Design 4 - Poster:
Telescope Maker
carved limestone by Larry Cottrill 1975 Length approx. 14 inches
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Category I: Sculpture - Design 5 - Poster:
The Bold Marauder
plaster of Paris model by Larry Cottrill 1975 Height approx. 10 inches
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Category I: Sculpture - Design 6 - Poster:
Sounding
carved limestone by Larry Cottrill 1994 Height approx. 19 inches
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Category I: Sculpture - Design 7 - Poster:
Lion's Head
cast terra cotta from unknown designer ca 1920 Height approx. 16 inches
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Category II: ON THE WALL (Paintings, Drawings, etc.)
__________________________________________________
Category II: On the Wall - Design 1 - Poster:
Still Life
oils on canvas by Dorothy Lizzete Eisenbach 1947 approx. 40 x 30 inches
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Category II: On the Wall - Design 2 - Poster:
Keys
matte board wall sculpture by Larry Cottrill 1992 approx. 14 x 11 inches + frame
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Category II: On the Wall - Design 3 - Poster:
Rejected by NASA
technical drawing by Larry Cottrill 2001 approx. 17 x 11 inches
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Category II: On the Wall - Design 4 - Poster:
Breakfast of the Tyrant Kings
gel pen drawing by Larry Cottrill 1988 approx. 28 x 20 inches
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__________________________________________________
Category III: PHOTOGRAPHY
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Category III: Photography - Design 1 - Poster:
At Last, the Wedding Is Over ...
photograph by Larry Cottrill 1975
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Category III: Photography - Design 2 - Poster:
Happy Couple, Happy Mom
photograph by Larry Cottrill 1975
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Category III: Photography - Design 3 - Poster:
Downtown
photograph by Larry Cottrill 1972
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Category III: Photography - Design 4 - Poster:
Portrait of the Artist As An Old Dog
photograph by Larry Cottrill 2010
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III
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Category III: Photography - Design 5 - Poster:
Artist Jim Russell
photograph by Larry Cottrill 2010
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Category III: Photography - Design 6 - Poster:
Oh Fifteen
photograph by Larry Cottrill 2023
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Category III: Photography - Design 7 - Poster:
Engineer John Nigro
photograph by Larry Cottrill 1975
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Category III: Photography - Design 8 - Poster:
Tower of Friends
photograph by Larry Cottrill 1971
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Category III: Photography - Design 9 - Poster:
Pulsejet Pipe Extension
photograph by Larry Cottrill 2010
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Category III: Photography - Design 10 - Poster:
Artists, Father and Son
photograph by Larry Cottrill 2010
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__________________________________________________
Category IV: ART OF ALFRED OWLES (Paintings)
__________________________________________________
Category IV: Art of Alfred Owles - Design 1 - Poster:
The Intruders
oils on canvas by Alfred Owles ca 1960 approx. 27.5 x 19.5 inches
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Category V: ART OF MILO WINTER (Book Illustration)
________________________________________________________
Category V: Art of Milo Winter - Design 1 - Poster:
The Canadian Brandished His Harpoon ...
Illustration by Milo Winter 1922 printed approx. 4.2 x 6.1 inches
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 - Final.jpg)
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Category V: Art of Milo Winter - Design 2 - Poster:
A museum in which an intelligent, if a spendthrift, hand ...
Illustration by Milo Winter 1922 printed approx. 4.2 x 6.1 inches
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Category V: Art of Milo Winter - Design 3 - Poster:
All these and many other wonders I saw ...
Illustration by Milo Winter 1922 printed approx. 4.2 x 6.1 inches
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Category V: Art of Milo Winter - Design 4 - Poster:
The canoes at a given signal approached the "Nautilus" ...
Illustration by Milo Winter 1922 printed approx. 4.2 x 6.1 inches
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Category V: Art of Milo Winter - Design 5 - Poster:
He threw himself aside with amazing quickness ...
Illustration by Milo Winter 1922 printed approx. 4.2 x 6.1 inches
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Diptych full poster: $ 36.00 US
TTL-FD05: 19 x 13 inches [48 x 33 cm, approx.]
Shipping and handling, world-wide: FREE!
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Next Poster Follows:
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V
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Category V: Art of Milo Winter - Design 6 - Poster:
There, indeed, right beneath my eyes, lay a town ...
Illustration by Milo Winter 1922 printed approx. 4.2 x 6.1 inches
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Remember -
You DON'T need a
PayPal
account - just a credit card!
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Portrait mini-poster: $ 30.00 US
TTL-06: 11 x 17 inches [28 x 43 cm, approx.]
Shipping and handling, world-wide: FREE!
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Portrait full poster: $ 36.00 US
TTL-F06: 13 x 19 inches [33 x 48 cm, approx.]
Shipping and handling, world-wide: FREE!
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Diptych mini-poster: $ 30.00 US
TTL-D06: 11 x 17 inches [28 x 43 cm, approx.]
Shipping and handling, world-wide: FREE!
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Diptych full poster: $ 36.00 US
TTL-FD06: 19 x 13 inches [48 x 33 cm, approx.]
Shipping and handling, world-wide: FREE!
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Next Poster Follows:
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V
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Category V: Art of Milo Winter - Design 7 - Poster:
Captain Nemo unfurled a black banner which bore an N ...
Illustration by Milo Winter 1922 printed approx. 4.2 x 6.1 inches
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Remember -
You DON'T need a
PayPal
account - just a credit card!
|
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Portrait mini-poster: $ 30.00 US
TTL-07: 11 x 17 inches [28 x 43 cm, approx.]
Shipping and handling, world-wide: FREE!
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Portrait full poster: $ 36.00 US
TTL-F07: 13 x 19 inches [33 x 48 cm, approx.]
Shipping and handling, world-wide: FREE!
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Diptych mini-poster: $ 30.00 US
TTL-D07: 11 x 17 inches [28 x 43 cm, approx.]
Shipping and handling, world-wide: FREE!
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Diptych full poster: $ 36.00 US
TTL-FD07: 19 x 13 inches [48 x 33 cm, approx.]
Shipping and handling, world-wide: FREE!
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Next Poster Follows:
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V
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Category V: Art of Milo Winter - Design 8 - Poster:
The unhappy sailor was brandished in the air ...
Illustration by Milo Winter 1922 printed approx. 4.2 x 6.1 inches
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Remember -
You DON'T need a
PayPal
account - just a credit card!
|
|
Portrait mini-poster: $ 30.00 US
TTL-08: 11 x 17 inches [28 x 43 cm, approx.]
Shipping and handling, world-wide: FREE!
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Portrait full poster: $ 36.00 US
TTL-F08: 13 x 19 inches [33 x 48 cm, approx.]
Shipping and handling, world-wide: FREE!
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Diptych mini-poster: $ 30.00 US
TTL-D08: 11 x 17 inches [28 x 43 cm, approx.]
Shipping and handling, world-wide: FREE!
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Diptych full poster: $ 36.00 US
TTL-FD08: 19 x 13 inches [48 x 33 cm, approx.]
Shipping and handling, world-wide: FREE!
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End of Poster Sales Pages
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